Informed by Abu Naba’a’s lived experience across the Caribbean,the Middle East, Europe, and the United States, the exhibitionapproaches identity as something shaped through movement,material, and sensory memory. Her visual language draws fromabstraction, traditional craft, digital aesthetics, and ecologicalawareness. Color, texture, and form operate as systems ofcommunication. Accumulated linework gives shape to petals, textilesunfold as terrains, and craft functions as both archive and continuity
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