In the shifting light of imagination and memory, Bruno Sfeir, a Lebanese Uruguayan painter,emerges as a singular voice in contemporary visual art—one whose work is as elusive as it isevocative. With this poetic metaphor, the artist gestures toward a body of work that resistsconfinement. His paintings, like the river he evokes, flow freely between movements, influences,and inner visions.
Though trained under disciples of the renowned Torres García workshop, Bruno Sfeir has divergedfrom the Constructivist grid toward a more fluid and intuitive terrain. Geometry is present, yes, butit does not dictate. Surrealist echoes resound but never dominate. Instead, his compositions exist ina space of balance—a visual unity where rational structures intermingle with irrational forms,giving rise to an order that feels both intentional and instinctual.
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