In today’s globalized world, abstraction is more vibrant and multifaceted than ever. Once viewed through a predominantly Western lens, abstraction has now become a language shaped by countless cultural perspectives and an ever-evolving artistic dialogue that transcends geographical and ideological borders. Far from being a purely universal or neutral form, abstraction remains deeply influenced by personal histories, cultural environments, and philosophical reflections. The individual voice of the artist merges with broader artistic traditions, creating a layered and dynamic visual language.
Across continents, abstraction manifests in an extraordinary range of styles: from the mathematical purity of geometric abstraction to the musical fluidity of lyrical abstraction; from the raw energy of abstract expressionism to the serene restraint of minimalism. Each of these approaches reflects how universal artistic principles are continually reinterpreted through local histories and individual sensibilities. This diversity reminds us that abstraction, while seemingly detached from representation, is never detached from meaning.
A New Fluidity in Artistic Practice
Many contemporary artists now embrace this fluidity, moving effortlessly between abstraction and expressionism. The rigid divisions that once defined art history — between figurative and abstract, Eastern and Western, modernist and postmodernist — have largely dissolved. In thisexpanded field, abstraction becomes a fertile space for exploring memory, identity, and urban experience, just as much as for formal experimentation.
Such an approach resonates with the vision of artists like Asaad Arabi, for whom abstraction is not an end but an extension of lived experience. In his reflections, Arabi describes how the visual rhythms of the modern city, the melancholic tones of Mediterranean culture, and the innate musicality of form come together on the canvas. Inspired as much by the existential abstraction of Nicolas de Staël as by the lyrical abstraction of Paul Klee or the topographical works of Middle Eastern artists like Saliba Douaihy, Arabi’s work reflects a broader postmodern condition: one in which abstraction serves both as a universal language and a personal journey.
Abstraction as a Space of Encounter
Ultimately, abstraction in our interconnected world is no longer confined to strict categories or single influences. It evolves through a dynamic interplay of histories, cultural memories, and artistic innovations. In this space, artists bring together diverse elements — from ancient motifs to modern urban forms, from emotional resonance to intellectual inquiry — forging new ways of seeing and understanding.
As abstraction continues to cross borders and absorb new dialogues, it invites us to experience the complexity of the present moment. It is both a mirror and an invention, a space where past and present, East and West, the lyrical and the geometric, converge. Through this endless process of exchange and reinvention, abstraction remains one of the most vital and open languages in contemporary art — a testament to the boundless possibilities of human expression.
- Guillaume IOUALALEN -